Longsword by David Pilling

Saturday, 5 January 2013

Creator of the Wolf...

Today I host a guest slot by the very talented Paula Lofting, recent winner of an Indie BRAG medallion and author of the pre-Norman Conquest saga, Sons of the Wolf...

What inspired me to write my novel: My journey

Thank you David, for allowing me to do this guest blog on you site. I am Paula Lofting and apart from writing I am a Psychiatric nurse and mum to Connor 16, Catherine 18 and Ron 25. I write historical fiction and I also re-enact the period I am currently writing about, with an organisation called Regia Anglorum. I have always loved history right from a small child when I started reading books like Dawn Wind and The Eagle of the 9th Chronicles by Rosemary Sutcliffe and then as an older child, Leon Garfield and Charles Dickens. Later influences came from Jean Plaidy, Bernard Cornwell, Mary Stewart, Edith Pargetter and Sharon Penman. I’m sure there are many more I have forgotten. After dabbling in different eras, I think I found my niche in the medieval period when I became an avid reader of Sharon Penman’s books. The pre-Conquest era, which is currently my favourite period of interest, really only came to the fore for me about 7 years ago when I attended a re-enactment of the Battle of Hastings and although I knew about this period very well, I hadn’t realised what a tragic story emerges from that fateful day, for King Harold and the indigenous people of England. I wanted to know more and I remembered a book I had read when I was about 17 called The Golden Warrior by Hope Munz. I remembered it to be a good story but back then my obsession with Harold and the 11thc had not begun. That’s also when I got into re-enactment because having been inspired enough to write a book, I also wanted to know what it felt like to live in those days.

So, my long awaited novel that I had wanted to write all my life had begun to form. The reason why it had taken so long to happen was that for much of my life I had been engrossed in other things and my creative streak had been oppressed by some difficult life events. I believe in life, that all things happen when they are meant to and this was the time for me. I was ready.  I piled into loads of reference books and dug out some older books I had hanging around from earlier days, such as Frank Stenton’s Anglo Saxon England and looked for the primary sources in them. My favourite and most treasured acquisition was the Anglo Saxon Chronicles which is a fantastic guide for what happened when. The sad thing about the AS Chronicles is that it was written by some very lazy scribes, either that or the information was not available for them. It does not go into great detail of events and I have had to supplement the information with other works and my imagination.

Before I got too far into my research, I needed to think about what I was going to write about. I wanted to write with Harold as the main character, however I had read the wonderful Harold the King by Helen Hollick which was a new version of his story and because she had written such a brilliant book for him, it was going to be a hard act to follow. So I began searching my mind for a character and a plot and found further inspiration in a book called 1066 Year of the Conquest which was written by a fellow Sussex man, David Howarth.  In it he describes the year of 1066 from the perspective of the ordinary people, particularly focussing on his home village of Little Horsted and the surrounding areas. David Howarth has written many books about history but I believe this was the only one in this era. It is not an academic book, but written very simply, relating the events to how it might have affected the people of these Sussex villages in the 11th c. Through the Domesday book, we are able to identify who owned land in the various villages, hamlets and towns of Sussex.  Horstede (as it was called back then) belonged to a man called Wulfhere who held 5 hides and 30 virgates from King Edward the Confessor. The amount of land Wulfhere held meant that he was a thegn, (pronounced thane) and as such would owe military service to his King for his land.

David Howarth’s writings conjured up images in my mind of a strong warlike man, his longhall, the central feature of a homestead surrounded by a wooden palisade. He lived with his family, and the tenants (his villagers) who shared feasts with him around his hearth. I saw the forest which surrounded the village and the children who ran through it, playing amongst the trees and swimming in ponds damned by rocks. I pictured a man who was returning home from battle with his loyal right hand man to be met with this wonderful scene, the smoke of hearth fires as it billowed out of the apertures of the buildings that lined the pathway to his hall. He waves and smiles as his people come out of their cottages to greet him. The joy he feels when he reaches his gatehouse and crosses himself as he passes by the little chapel, giving thanks to the Lord that he is home at last. He hears the laughter of his children as they run to him with excitement.  Suddenly a story began to unfold in my head on a hot summer’s day and I realised I had my main character, Wulfhere. Nothing was known about him other than that we can find in the Domesday Book. In order to add a tiny bit of realism, I have used the names from the Domesday book for other characters. As with Wulfhere, nothing is really known about them, other than what they owned. So for Wulfhere and his friends, I created lives and personalities and that is how Sons of the Wolf began.

The story centres on Wulfhere mainly and his family but we also see historical characters like Earl Harold Godwinson and his brothers, Edward the Confessor and his wife Edith and various others. Wulfhere is a King’s thegn by hereditary right but he is commended to Harold and as thus is bound by oath and loyalty to serve him. When his oldest daughter, the wilful and headstrong Freyda, embarks on a forbidden relationship with the son of Wulfhere’s adversary, Helghi of Gorde, old enmities between the two men are re-opened and in order to restore peace to his jurisdiction, Earl Harold orders the two men to allow their children to plight their troth, using the ancient philosophy of a woman being the ‘peaceweaver’ in a feud. Although Wulfhere agrees, he is not happy with the situation. The rivers of resentment run deep between him and Helghi and he finds the idea of his daughter wed to the son of his nemesis unpalatable. Urged on by his demanding wife, Wulfhere has to find a way to extricate himself from the contract with Helghi without compromising his loyalty to his lord.

The book is also about battles and skirmishes, love and betrayal. On bloody fields he fights for his life, but sometimes the enemy is closer to home.

You can read more on my Sons of The Wolf blog   http://paulalofting-sonsofthewolf.blogspot.co.uk/

And also http://paulaperuses.blogspot.co.uk/  and http://threadstothepast.blogspot.co.uk/ which is about the Bayeux Tapestry.

Available also in the US and on kindle.

Available also in the US and on kindle.

1 comment:

  1. Dear Paula,
    I love your story and 'in life... all things happen where they are meant to' notion. Quite recently I've started to believe it myself too.

    Sons of the Wolf sounds intriguing ideed, especially that I do not know much about pre-Conquest England. I read a novel by Sarah Bower, The Needle in the Blood, wanted to learn more about the tapestry and Odo, and some time afterwards came across your blog Threads to the Past. I would like to thank you for the fascinating The Bayeux Tapestry Scene by Scene. I learned a lot thanks to it.

    Now, I'm looking forward to reading The Sons :-)

    Kasia Ogrodnik